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    <lastmod>2024-03-17</lastmod>
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      <image:title>Blog - Welcome! This is where I share my thoughts through education, poetry and sentiment.</image:title>
      <image:caption>The Kathryn Bevier Artworks Blog Please scroll down to read what catches your interest</image:caption>
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      <image:title>Blog - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Keane’s Greens Enkaustikos Hot Sticks Set - formulated by me as advised by Erin Keane and brought to you by Enkaustikos!</image:title>
      <image:caption>I believe - without checking dates that 2017 was my first visit Ireland. Lora Murphy picked me up in Dublin and we made the trek towards Ballyvaughan for our first time teaching together at the Burren College of Art.  I remember saying as we were driving that I was surprised it wasn’t greener than it was. All I ever heard from people who have visited Ireland is how green it is. I’m not sure what I was expecting. Anyway, Lora was appalled at my comment - and rightly so. It was plenty green and as the miles went on became greener for sure. After all, we were just on the outskirts of Dublin when I made that statement.   As we made our way east, and in a beautiful expanse of farmland Lora looked at me, and as only Lora can say - “is this green enough for you?” we both laughed. It was just as lush and verdant as I had imagined.  Fast forward to a couple years later when I was hosting Erin Keane for a weekend workshop in Honeoye Falls, NY just south of Rochester. If there is one color Erin seems to love and knows how to use with force and subtlety combined, it is green. Throughout the workshop, I kept thinking what shade of green would really suit her. I wanted to make it for her as a gift. I said,  “Erin, I need to make you a Keane’s Green”. She laughed with excitement, but I was serious.  It took a couple years, but I am so delighted to say that not only did I create one green for Erin, but five. My ability to do this is all under the workings of Enkaustikos. Developing custom colors is one of the absolute perks of what I do for the company. When I showed Mike, the owner of the company, the test colors I was going to send to Erin, he said to have her pick five. I nearly fell over. Not only was I happy for Erin, but this was a dream come true (or should I say another dream come true). Everyone I showed in the company just lit up when they saw the various shades I had formulated.  Overall, Erin worked with about ten colors that I sent her over a period of time. Once she made her selection, with a couple tweaks here and there, I had my formulas finalized. Each color is a stand alone, and yet so much part of the five piece family. As I type this, her maiden set is on its way to her. I can only imagine how she will feel when she opens the box.  Erin’s craftsmanship and artistry has attracted me for years. I can speak from first hand experience that her teaching is exemplary. It was an honor for me to work with Erin and I am truly excited to announce Keane’s Green is officially on the market.  Erin has her own connection to Ireland, and I can say without a doubt that these greens are green enough - even enough to delight our lovely Irish friend Lora.</image:caption>
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      <image:title>Blog</image:title>
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      <image:title>Blog - Inspired Beginnings</image:title>
      <image:caption>Painting with Fire - Essence of Mulranny My friend Lora Murphy has invited me to participate in a year long online encaustic workshop alongside 25 other well respected artist who teach encaustic. Painting With Fire - Essence of Mulranny is a going to be an amazing opportunity for anyone who loves to work with encaustic, has the desire to learn the process, and be totally inspired by a tremendous array of global talent. Every week, for a whole year you will receive a lesson. The lessons are recorded so you can view them at anytime thoughout the year. Each instructor focuses on something very unique, so there will be little overlap in what you are exposed to. The first presentation I am making is called Inspired Beginnings. In this class I will show how an alla prima technique to painting is a great way for developing ideas and getting to the spirit of your work. I will take you through my process on how I begin my work through the use of journaling, sketches, and the importance of painting a series to get to the essence of what I'm trying to capture. Hints on color theory, value contrast and using a limited palette will be included. Click on Painting With Fire to find out more details.</image:caption>
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      <image:title>Blog - The Kathryn Bevier Collection</image:title>
      <image:caption>The Kathryn Bevier Collection is a set of colors that I created for myself and for Enkaustikos. I developed them as an alternative to the high key single pigment color palette. Variations on a primary palette are present, plus a few extra colors. Deep Lake and Blue Rain are “blues” - Sanguine and Alizarin Gold are “reds” - Bittersweet and Harvest Moon are “yellows”. the additional colors are Hedera, a deep woodsy green, Nostalgia, a muted aqua, and Purple Haze, a light gray with strong purple tendencies. All of these paints are a blend of two or three pigments making them perfect to use as is, or to mix as you see fit. Make sure to use plenty of wax medium to extend the pigment load and get the flow you desire.</image:caption>
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      <image:title>Blog - The Power of Gray Set</image:title>
      <image:caption>The Power of Gray colors came about as a result of my many years of teaching. Helping people to understand the value of using neutral or muted colors to create compositional direction, resting spots, and to enhance surrounding colors in their art has become a primary focus in my classes. Despite their appearance, you might be very surprised to find out how lively these gray tones are. There is nothing dull about these paints. I developed these colors for myself and for Enkaustikos using a combination of pigments. None of these grayed out hues are made by mixing black and white together, which would have been very easy, but not producing interactive grays. These colors are full of life, just on the quiet side.</image:caption>
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      <image:title>Blog - Blue Rain</image:title>
      <image:caption>We all know the sweet smell of rain  but do you know how it smells from my childhood window?  Six decades encapsulated in that one distinct fragrance The smell of a blue Carolina sky opening or the mesa clearing off after the storm with its sharp contrast of orange  The smell that forces itself into the room when I open the windows  the room my mother has made beautiful for my visit.  No No more than I know what it smells like to you.  Perhaps though, there is a knowing that connects us  in the underground reservoir that passes through our veins  The veins we don’t even know exist Like drops of captured memories Tears  They fall hard against the asphalt  And the frogs begin to sing ©Kathryn Bevier 2019</image:caption>
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      <image:title>Blog - I’m not boasting, I’m just proud.</image:title>
      <image:caption>I am proud to say that I have created a tremendous line of paint colors for Enkaustikos. Some of these colors have been for exciting projects, some are custom colors for other artists, some as limited editions, and many to enhance and extend the color palette of the paint line that already exists. I am proud, and I am grateful for having the opportunity to develop paint formulas. The color in the accompanying image is called Nostalgia. I originally created it for an amazing artist Stephanie Roberts-Camello, but it has quickly become one of my all time faves and love using it. It is an opaque paint, a very soft aqua leaning more towards green. I named it Nostalgia because it reminds me of the green milk glass of the 40’s and 50’s. Plus, I have strong nostalgic tendencies running through my veins.</image:caption>
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      <image:title>Studio - This is where I share my space with you.</image:title>
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      <image:caption>sometimes I eek out the tiniest spaces - this is what happens on my coffee table when I want to watch a movie while painting.</image:caption>
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    <loc>https://www.kathrynbevier.com/portfolio</loc>
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    <lastmod>2024-03-19</lastmod>
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      <image:title>Portfolio - Make it stand out</image:title>
      <image:caption>Rhythms of the Land - pastel - $450 I am deeply drawn to the lay of the land here in western NY. I revisit this landscape often, especially when I need to get centered in my practice.</image:caption>
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      <image:title>Portfolio - Make it stand out</image:title>
      <image:caption>Light Patterns - encaustic - 12” x 12” Years ago I painted a scene similar to this with broken brush stroke. to be honest, I’m not sure it is done, but wanted to show it as a precursor to what may evolve.</image:caption>
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      <image:title>Portfolio - Make it stand out</image:title>
      <image:caption>Along the Canal - pastel - $350 Walking the Erie Canal path is such a privilege. It is safe, clean and scenic. I get to relax and feel into the atmosphere.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/604016ed21ad8e5458cf0a23/8ece6565-a52b-48fc-96dc-1a9f63d30a24/IMG_9904.JPG</image:loc>
      <image:title>Portfolio - Make it stand out</image:title>
      <image:caption>Linwood - pastel - $450 One of my all time favorite places to visit, to teach and to go for inspiration is Linwood Gardens in Linwood, NY. Have a look at their website and you will know why www.linwoodgardens.org</image:caption>
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      <image:title>Portfolio</image:title>
      <image:caption>Southern Tier - encaustic - 30”x40” - commission I am available for commissions. My genre tends to be the simplified landscape with a mix between representation and abstracted suggestion. I enjoy developing what I call “color worlds” that create a desired mood in a painting.</image:caption>
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      <image:caption>Winter Wax - encaustic with pastel - sold The reference to a grid is often found in my art. This painting alludes to this underlying structure in my attempt to speak about the water landscape both above and below the ground.</image:caption>
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      <image:caption>Ace of Cups - encaustic - 12” x 40” - Sold One of my favorite subjects is the empty vessel. One might think there is a a sadness to the word empty, but I have learned over the years that an empty state is like a blank slate - full of potential.</image:caption>
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      <image:caption>Are We All Connected - encaustic - 9” x 9” In all seriousness, this is something that just happened intuitively. A very different palette for me, nonetheless, I am enjoying it.</image:caption>
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      <image:caption>Architectural Quilt - encaustic - 40” x 60” - sold My attraction to quilts and the visuals of stacked up buildings in any downtown USA found it way into this painting.</image:caption>
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      <image:caption>Out of Chaos - encaustic - 30” x 40” Truly I hope that there will ultimately be more light as we move forward.</image:caption>
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      <image:caption>After the Storm - encaustic - 24” x 36” on cradled wood - $800 All I have to say about this painting is that it came out quick. I have painted this scene multiple times and it all culminated in finally being able to express the essence of the last few rain drops as the strong wind blows across the meadow on a very warm late August day.</image:caption>
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      <image:caption>A Change in Seasons - encaustic on cradled wood - 24 x 36 - $800 Yes, a revisit of a favorite meadow. The Finger Lakes region is full of rolling hills and meadows formed by glaciers. It is hard to find a place that isn’t worth stopping. As an artist, the area is full of enticing vistas, but it is more than that. there is something in the air here that resonates a certain excitement within.</image:caption>
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      <image:title>Portfolio - Make it stand out</image:title>
      <image:caption>Transitions - encaustic - 12” x 40” The idea that all is needed to suggest a landscape is a horizontal lines fascinates me. It speaks to how we are hard wired in the way we see the world. If you move (or down ) looking at two, three or four bands of color, you will see the ever changing landscape.</image:caption>
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      <image:title>Portfolio - Make it stand out</image:title>
      <image:caption>Orange Fields - pastel - $450 I find that a row of trees in the background seems to find its way in many of my paintings. I think it have to do with the row of trees that separated my grandfather’s farm from the neighbors farm. somehow that divide serves an anchor.</image:caption>
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